April 5, 2010
Ross's inspired debut explores the “proximity of violence and love” and begins with the death of Alice Pepin, whose lifelong struggle with depression, insecurity, and obesity comes to an abrupt end at her kitchen table when she is found dead with a peanut lodged in her throat. She has suffered suicide by anaphylactic shock—or so claims her husband, David, a quiet computer game programmer obsessed with M.C. Escher, Hitchcock, and working and re-working a draft of his unpublished novel, a violent possible masterpiece. Gradually, the two detectives on the case begin to see disturbing parallels between their own marital dramas and the Pepins' cruel rotations of brinkmanship and adoration. Ross's depiction of love is grotesque and tender at once, and his style is commanding as he combines torture and romance to create a sense of vertigo-as-romance. It's a unique book—stark and sublime, creepy and fearless—that readers into the darker end of the literary spectrum won't want to miss.